Here are Benjamin Law, Australian writer, and Trystan Go who plays Benjamin in the sitcom The Family Law, now in its second season on SBS.
The casting has been brilliant. One of the funniest things I have seen on TV lately was in Episode 2 where a drama teacher uses off-the-wall casting techniques whereby young Benjamin gets the role of Medea after a melt-down in the school toilets. Looking forward to how that plotline develops. On Trystan Go:
The actor, whose theatre credits include The King And I, plays Benjamin Law in the small screen adaptation of the best-selling memoir about life on the Sunshine Coast in 1990s Queensland…
“When I read the scripts, I could really see that I’d enjoy playing Ben,” Go recalls.
“The things he does are so wacky and weird. Ben is funny, without trying to be — a real showman. He’s intense too, a bit self-centred, but also really courageous. He’s trying to get his family back together, so he’s full of heart.”
On a rather serious note, Benjamin Law writes in The Good Weekend today: I’d love an Asian-Australian family on TV to be unremarkable.
…I used to think Australia was overwhelmingly white, too. I didn’t have the internet as a kid, and TV told me Australia was nearly 100 per cent Anglo. It was only when I moved to the city that I saw Australia for what it is: one of the most diverse nations on earth. According to analysis by Screen Australia based on the 2011 census, Australia was 67 per cent Anglo-Celtic, 12 per cent non-Anglo European, and the remaining fifth Asian, African, South American and Indigenous. New census data released later this year will show the latter figures have jumped.
Shouldn’t we see “past” race?
Ideally, yes. But for now, no. Only when we acknowledge how ethnically diverse Australia is, can we ask whether mostly white workplaces are meritocracies. Or whether there is an excuse for overwhelmingly white TV shows. I’d love for an Asian-Australian family on TV to be unremarkable. But it’s not. So until it is, let’s keep the conversation going.
It’s hard to watch a show like The Family Law without feeling like it was crafted with a lot of love and the cast and production team are so tight-knit that, when I ask about their motivations for the show, their answers are so similar that I briefly wonder if they have been coached. Is it possible, in the age of shows as bleak and cynical as House of Cards, or Fargo, or A Handmaid’s Tale, to create television with genuine warmth and generosity? But it’s only a moment of doubt, because it’s hard to leave The Family Law without feeling like this big, sprawling family has just claimed you as a member, too.
ABC coincidentally has been screening Ronny Chieng: International Student. It has its moments, but personally I don’t find it as good as The Family Law. Too over-the-top at times, maybe?